Behind the Stories – Instructions for How to Buy a Tent and Quarantine Blues

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I now realized I drafted this post during NaNoWriMo 2022 but never finalized and published it. Such is the time demands during NaNoWriMo. Every free minutes goes toward getting words on the screen and not much else. But, as they say, better late than never.

I have a twofer for you this time, and neither are my usual. “Instructional for How to Buy a Tent” is creative nonfiction; “Quarantine Blues” is a poem. But first the background.

As I’ve mentioned before, I’m a member of the Northern Virginia Writers Club, itself a chapter of the Virginia Writers Club. The state club conducts the Golden Nib Writing Contest every year. However, to reach the state level, an entrant must place first in their chapter-level contest. There are three categories: fiction, nonfiction, and poetry.

For the 3.5 years prior to this year, I served as my chapter’s president and therefore was disqualified from participating – mainly because I picked the judge, who happened to be very familiar with my writing. Now that I’m no longer president, I took advantage and submitted an entry in all three categories. I had to make up for lost time.

If you’re reading this blog, you likely know I’m a fiction, specifically speculative fiction, writer. Guess which category I didn’t place in. That’s right, fiction! Whoops.

“Quarantine Blues” took third place at the chapter level. While not qualifying to compete at the state level, it’s still included in the 2022 Golden Nib anthology. As the title suggests, I wrote this during the heart of the initial pandemic when many of us where stuck at home for long periods with our families. It’s in the style of a blues song, a music genre I love and which I always felt amounted to poetry.

My nonfiction piece “Instructions for How to Buy a Tent” took first place at the club level. Right at the chapter level contest deadline, I decided to throw my hat in the ring in the nonfiction category. Searching my hard drive for anything that would work, I found this piece. (I haven’t written much nonfiction, and what I have had previously been published.)

I wrote this one in 2019 as part of a flash fiction writing workshop hosted by the NVWC, so it was only fitting I now would submit it to the chapter level contest. The prompt was to write about a routine process. I had recently undertaken the subject of the piece, i.e. buy a tent to use when the family went camping, so that also seemed fitting. And, as I’m realizing I’ve done regularly in my works, I injected a little humor. Even though I was at a deadline, it’s short at 445 words; so it didn’t take long to polish up before sending off.

And this piece took third place at the state level! That’s twice now that I’ve won third place at the state level. The first time also was for a nonfiction piece. As I mentioned, I don’t write much nonfiction. What I have written has either won a prize or been published. I see the trend too. Maybe I should rethink this fiction writing business. 😜 This also makes me a “multi-award winning” author. Such accolades!

Check out both “Instructions for How to Buy a Tent” and “Quarantine Blues” in the 2022 Golden Nib anthology. It’s time to start thinking about my entries in this year’s contest.

The First Sentence

How important is the first sentence? A Writers Path had a recent post on the importance of the first sentence setting the tone for the entire story. That blog also had a similar post on The Importance of a Great Literary First Impression.

Aeryn Rudel of Rejectomancy had a post as well where he analyzed the first lines from his stories that were published last year. And The Write, Already! blog recently had a series of posts promoting John Brueckner’s “892 Opening Lines” book. There’s even a publication dedicated to the first sentence called, not so coincidentally, The First Line. I’ve posted previously about that publication.

I also recall an editor of Asimov’s or Analog year’s ago discussing how important the first sentence was. What I recall, whether I remember correctly or not, essentially was if the first sentence didn’t grip him, it had little chance of being purchased.

Clearly, this is on a lot of people’s minds. So have I practiced this philosophy? I’ve certainly tried with varying amounts of success. I’ve also tried to vary my approach. Sometimes the first line is dialogue. Other times it’s the narrator speaking.

To date my favorite is from a story I’m still shopping around. Indeed, I hope to use it as the lead story in my short story collection submitted to the C. Michael Curtis Short Story Book Prize. (I wrote about this contest here.) The line is: “The naked man ran screaming from the room.” Don’t you want to read on to know why he is both naked and screaming? I thought so; I haven’t gotten an editor to bite yet though.

Do you try to nail that first line before proceeding with a story, or do you not worry about it? Do you have any first lines you’re especially proud of? Let me know in the comments.

 

Bouncing Around

I’ve been bouncing around a lot these days. I’ve lacked focus on any of my writing. I’ve even put off submitting those works that have received a rejection. So what gives? Good question. I don’t know.

According to Word, I haven’t worked on my WIP novel in over a month. I’ve finished three flash stories though, and I’m one scene away from finishing the novella I thought I’d finish last summer. That’s some progress, I guess.

I feel like I’m waiting for something, which is probably the wrong approach. If there is any upside, it’s by not resubmitting my stories, I have a catalogue worth I can combine into a collection for the contest mention in Submission Dilemma III. Needless to say, I’m going for it. I’ll spend the $25 on the submission fee and take my chances.

But, first, I need to finish the novella. The submission guidelines say no story should be longer than 15,000 words. The novella is longer but already broken down into a couple stories. I estimate the longest of those stories will come in just under 15,000 words. Regardless, I plan to spread the individual stories out in the collection to build tension.

Collecting my stories into a single work will reduce my number of submissions for the year while I wait to hear back from the contest, but I’m okay with that. I like the idea of having a collected works manuscript. Now I just need to finish the novella and organize the collection before the April 15 deadline.

How has your writing focus been lately? Have you been productive, or are you finding distractions? Let me know in the comments.

Submission Dilemma III

I haven’t had one of these in a while. The ole do I or don’t I submit dilemma. The C. Michael Curtis Short Story Book Prize is open to submissions of short story collections until April 16. I meet all the requirements. I live in the Southeastern United States. I’m an emerging writer. I have enough stories to reach the 140-220 page (35,000-55,000 word) range. And the manuscript wouldn’t be that difficult to put together, simply cutting and pasting several stories into one file.

The contest winner gets $10,000 and their manuscript published. Sounds great, so what’s my hold up? Like a lot of publishing contests, this one has an entry fee–$25. I have yet to pay to play as a writer. I believe in the old adage that money flows one way from the publisher to the writer. I understand the economics of a lot of publishing these days, especially in the literary magazine industry, is difficult and holding contests with paid entries helps pays the bills. I don’t fault that, and I don’t fault those who enter for a chance to win additional compensation beyond what normally would accompany acceptance in a literary magazine.

The contest fees I’ve seen generally run in the $5-$25 range. While not cost prohibitive, those fees can add up if a writer constantly applies to these contests.

If I’m so opposed, why would I even consider this contest? For starters, it’s the first I’ve seen geared towards collections of short stories. Usually the contests I come across are for a single short story. I have plenty of those still making the rounds with the literary magazines and not a whole lot to show for it. I’m intrigued by the thought of collecting my stories into a single work. That has been a goal of mine from the start, though I had hoped it would be a collection of reprints. I’d be happy with the publication of a collection of original works too!

Also, like I mentioned earlier, I meet all the criteria. How often does that happen?

So what do you think? Let me know in the comments if I should fork over the $25 and submit a collection of short stories to this contest.

More Shameless Self Promotion

It finally happened. The Virginia Writers Club got its act together and posted not only the winners of the 2018 Golden Nib Writing Contest but also the winning entries. The collected winners can be found here.

As I’ve mentioned before, I took third place in the nonfiction category. I was happy to get that. I had written my short essay (under 1000 words) for another market, which didn’t accept it, and only put it in for consideration in last year’s contest on a lark. Looking back, I’m glad I did. Having focused on speculative fiction, I’m not sure what other nonfiction markets are out there for this type of essay.

Now as the 2019 president of the Northern Virginia chapter of the club, I’m excluded from participating in this year’s contest. I’m not terribly upset by this, though I am pleased that winners going forward will finally be announced and their works posted, which was supposed to be a selling point of the contest from the start.

Peruse the other winners and see what you think. You can let me know what you think about mine as well. I can take it.