Acceptances 2.0

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Acceptances are what it’s all about, right? Whether you’re shopping a novel to an agent or publisher, or like me, shopping short stories to various markets, it’s all about being accepted. (Really, for me who does not write for a living, it’s about validation; but we can explore that another time.)

My goal for the year, as with prior years, was to receive four acceptances. I’m pleased to say I’m already there. With two acceptances by token markets and two more by non-paying markets, I’ve reached my four. I must say I’m grateful and surprised. Last year was a little sparse on the acceptance front.

I’ve already blogged about my first set of acceptances from the two non-paying markets this year here. Both can be read for free. Check out the links on my Publications page.

The two more recent acceptances are from token markets. The first is Spaceports and Spidersilk. The editor for this one provided my very first rewrite request. I was pleased that she gave me the opportunity to transform my work into what she was looking for. I took on the challenger, and it apparently worked because she accepted the revised story.  I also think the revised version is a better story. Writers rarely like to admit it, but editors often know what they are talking about. 

My story in Spaceports and Spidersilk is a young adult science fiction piece. You can purchase the entire issue here directly from the publisher. It’s also available through Amazon and can be found on my Author Central Page.

The last acceptance is a story I had written for a very specific prompt from another market. Needless to say, that market rejected it. After reworking the story and shopping it elsewhere, I’m pleased Frostfire Worlds accepted it for the September issue. I’ll post a link to that issue on my Publications page when available. If you enjoy humorous sci-fi, this is the story for you.

So there you have it. Two more acceptances, and the year is but half over. I’d love to double that up. My output has fallen off this year, but I continue to submit what I have. None of the four accepted this year were new works. I just need to continue to make the rounds with what I have and attempt to supplement those with more stories as time, and ideas, permit.  (I’d also take an acceptance from a semi-pro or pro market, but I’ve always treated this journey as a marathon and not a sprint.)

How goes your acceptances journey this year? Let me know in the comments.