Collaboration II

I finally did it. I started the draft story I hope to collaborate on with one of my beta readers. I wrote about this way back on Post #27. See how long that took?

Here’s what happened. Back then, I had a story in mind the two of us could work together on. I sat down to write my part, but I kept going. And going. Until I finished the entire story. Oops! So much for that idea.

Then my beta reader was in town, and she and her husband came over for dinner. The beta reader and I talked writing while the spouses talked about something probably way more meaningful. Anyway, during our discussion, my beta reader mentioned an image she had for a story. She didn’t have the plot or any characters or really anything beyond this single image.

I decided to run with that image. I wrote the first scene which ends on that image and then sent it to my beta reader. While I mentioned at our dinner that I’d be interested in collaborating on a piece and possible using her story idea, I didn’t tell her I started the story until I sent a draft of that first scene.

The best part is she agreed to work together to flesh out the story. I proposed we follow the round robin method where each of us takes a turn drafting the subsequent part. She’s game for tackling the next scene.

I initially thought about including notes with my chapter about where I thought the plot could go and explaining a couple of vague references I included in that first chapter. Then I thought better if it. I don’t want to limit my writing partner with where she can take the story. For starters, it was her idea, but I also want to see what she comes up with. I want to be surprised just like a reader would be. I’ve been a little stagnant lately with my writing, so I like that this has me excited again.

Have you ever collaborated with another author? If so, did you use the round robin method or another technique? How’d it go? Let me know in the comments.

Post #27 – Collaboration

6/28/18

Last Sunday, I organized a workshop for the Northern Virginia chapter of the Virginia Writers Club. The topic was collaboration. My friend, and established author, Bria Burton graciously agreed to be the speaker. She has collaborated on four themed anthologies with The Alvarium Experiment. The fourth, titled The Prometheus Saga 2, will be released July 27.

I took the idea for a workshop on collaboration from Collaborators by Kevin J. Anderson and Rebecca Moesta. As a sci-fi author, I first encountered Anderson’s work writing in the Star Wars universe. In addition to his own novels, he’s since dived into the Dune universe and written at least 13 books (and probably more) with Frank Herbert’s son, Brian Herbert, finishing Frank’s original series and providing the backstory to that universe. He additional has collaborated with his wife, Rebecca Moesta, as well as Doug Beason and Dean Koontz.

Anderson postulates there are five main types of author collaboration. These are:

1) The Full Monty where both authors contribute the same amount of effort and develop every step of the project together.

2) Round-Robin Method where Author A writes the first section or chapter. Then Author B writes the next section or chapter, and so on back-and-forth.

3) First Draft, Last Draft where the authors discuss the project initially and agree on the basic story line, characters, setting, etc. Author A writes the first draft, and Author B edits, fleshes out, and does a final polish of the manuscript. In The Science Fiction Professional, sci-fi author Mike Resnick confirms he uses this technique frequently when collaborating. Of course, at this point in his career, Resnick is Author B.

4) Master and Apprentice which is similar to First Draft, Last Draft. Here the two authors consist of an established writer and a new writer. The two authors develop the story’s outline together, which the Master approves. Then the Apprentice writes the first draft. However, instead of conducting a full edit, the Master offers comments on the draft and gives suggestions and brainstorms solutions to address weak spots. This method is designed as more of a mentoring experience and a way to give the Apprentice a leg up in the industry by contributing the Master’s name to the work.

5) Ghostwriting where one author usually is silent and yet does all the work. The ghostwriter’s name may or may not appear on the work. This is seen often when celebrities decide to write. It’s also seen when an established writer no longer desires to continue a series he/she created or is no longer able to continue the series due to death. V.C. Andrews is a prime example.

Anderson also points out the numerous reasons for collaborating. These include gaining additional expertise, splitting the workload, having a new learning experience, for fun, and to build your carrier. He also cautions there are pitfalls to collaborating. If collaborators do not choose each other wisely, they may never speak, let alone work, together again.

Having never collaborated on a fictional piece (I collaborate almost every day on nonfiction pieces for work), I enjoyed hearing about Bria’s experiences. I’ve mentioned before I’d like to collaborate with one of my beta readers. I believe our strengths and weaknesses are complementary. I write dialogue well, while she’ll be the first to tell you that’s not her strong suit. She is better at establishing the settling, which I struggle with. I’m hoping together we can pull our strengths and develop a great story.

I have just such a story in mind. It’s my next project after hammering out the novella I mentioned last week, the submission window for which will close August 13. I’m hoping once I commit to this project here, it’ll be a done deal. I’ve already worked out the plot points. I just need to get them on the screen.

Let me know in the comments if you’ve ever collaborated with another author and what the result was. Are you still speaking to each other?

Photo credit: diannehope14 via Pixabay